![]() 133: Singing all tensions on a Dominant 7th chord.131 b: 4-3 Suspension on Have You Met Mrs.129: Varijashree Venugopal – Sings Naima.major tonality: pitches are related to a central pitch called the tonic. 122: Major Melody – Triplets grouped in 5 non-metric, unmetrical: free rhythm, no discernable time.I always recommend singing whatever you’re learning to play, so you can loop this mp3 and sing along with it for days after which playing it should be quite easy. I included an mp3 of the line played with general midi sounds (that admittedly sounds poor at best), which I like to use to sing along with while reading or visualizing the fingerings and notes. The melody outlines common chords used in rhythm changes and utilizes mostly eight notes, which can be a bit rhythmically monotonous, but is always good to work on and quite the norm these days (unfortunately?). In this lesson we’ll just focus on the exercise in concert Bb. ![]() At that time I was playing this and several blues etudes through all the keys (Ala Jackie McLean). I wrote this etude in the late 90’s for a very close friend of mine, Danton Boller, who is a fantastic bass player living in NYC.
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